He lay on the floor in a heap. A puddle of congealing gore, so dark it looked black, spread out around him and made the carpet fibers stiff.
Whatever killed Patrick wasn’t human, but if it wasn’t an animal what else could it be? What else is there to be?
Katelina is about to find out that if you turn over the rock of reality and look underneath it you’ll find things that hide in the shadows away from the light. Things you don’t want to see. Blood drinking monsters called vampires.
But what do you do when the vampire happens to be so beautiful you can’t stop looking at him? Or when he’s your only hope against a mob of monsters that think you’ve wronged them? Sure, maybe he saved your life, but how can you trust – really trust – someone who isn’t even human?
Katelina has no choice. Hunted by a coven of vampires, she has to rely on Jorick to help her escape. But no matter how far they run death chases them like a shadow until their only alternative is to turn around and fight.
Trapped between light and dark, the pair must travel down a path of mystery and terror as their pasts are slowly revealed and their passions ignite. To survive, the two allies must join in an ancient power-struggle that could very well decide their futures and the fate of the vampire covens…
The first exciting book in the Amaranthine series is a world of violence, obsession, betrayal and, most of all, vampires.
Second Edition Release Notes:
I hate authors who rewrite their books, don’t you? That’s a little bit of ironic sarcasm, since I’ve done just that, though this isn’t a complete re-write. The original goal was to add some information and (hopefully) clear up some questions, but once I started I tidied up a few conversations, cut some words here, added some words there, and, well, now it’s a second edition. For the most part it’s the same; the same things happen in the same places (sorry, the scene at Claudius’ is what it is), the same people die, and Senya still smirks evilly. But in some instances what the characters say has changed. I’ve tried to make a couple of incidents more obvious, for instance how Katelina is able to recover after Claudius’ lair and why Troy does what he does, and updated Katelina’s answering machine (who has those nowadays?). If, in the process, I ended up chopping out a couple thousand words, know that they must have been superfluous and that you’re not missing anything. It just means you can get to book two faster, and that’s always a good thing. Right?
Read a sample: